Scorpion (TV series) - Wikipedia
Blindspot is an American crime drama television series created by Martin Gero, starring Sullivan Stapleton and Jaimie Alexander. The series premiered on September 21, A back nine order was given on October 9, , bringing the first season to .. United Kingdom, Blindspot premiered on Sky Living on November 24, The National Broadcasting Company (NBC) is an American English-language commercial . NBC officially started broadcasting on November 15, PD and a significant ratings boost from its broadcast of the Winter Olympics, slot), the Sunday political talk show Meet the Press, weekday early-morning news . We did the hard work for you and found the best movies on Netflix to and social media is to information, Netflix is to entertainment: disruptive and dominant. They meet a couple local dudes who invite them to swim with sharks in a . director Ryan Coogler's follow-up to his blockbuster hit Creed.
The team links the murder to the four kidnapped girls. John finds a promising location and they go there to check it out. A voodoo zombie working for Papa Midnite attacks John and Jim shoots and kills him.
Zed finds another significant location and they head there, where they find the missing security guard nailed to a cross, tortured, branded, and dead.
Constantine (TV series) - Wikipedia
John realizes Papa Midnite is coming and tells Zed and Jim to focus on finding the satanist, leaving to face him alone. The police arrest Papa Midnite who they find in the middle of a crime scene. Zed tells Jim about her vision of his death, but also says she does not know if she can prevent one of her visions from happening. John witnesses them getting romantically involved and leaves. Manny frees Papa, cancelling the bounty on John and revealing himself as the boss of the Brujeria.
On October 30,Daniel Cerone released a script for the fourteenth episode, titled "Final Girl", which would have aired if the series had not been canceled.
Jessica Jones (season 1) - Wikipedia
Goyerwith the pilot episode directed by Neil Marshall. Additionally, the character's bisexuality was not referenced on screen,  with Cerone saying, "In those comic books, John Constantine aged in real time. Within this tome of three decades [of comics] there might have been one or two issues where he's seen getting out of bed with a man.
So [maybe] 20 years from now? But there are no immediate plans". She teams up with Constantine to fight the demons who have targeted her and learn more about her late father.
Meet the Press
Some of Griffiths' final scenes from the pilot were reshot, explaining why she does not join Constantine in his adventures as originally intended.
She also asked questions to prepare for character's stunt requirements and the building or retro-fitting of more complex costumes. This was done to highlight the formation of Matt Murdock as Daredevil, with the costume evolving over time as the character develops.
We experimented with a lot of different head pieces.
One version was a ski mask with the eyes sewn shut. We tried everything until we found something that just felt right. Quesada, who previously worked as an artist on Daredevil comics, gave several suggestions, including the incorporation of some of how New York was created into the suit, which led to the use of rivets and "architectural" shapes.
The suit is intended to look like a Kevlar vest, and the black sections are an homage to comic panels where the artists highlighted certain areas with red, with "deeper portions" in shadow.
For the billy clubs used by Daredevil in the series, which were designed by Andy Parkdiscussions were had about having them holstered on the right leg, given that both Cox and his stunt double Chris Brewster are right handed, but it was ultimately decided to have the holster on the left hand side as it is in the "classic profile" of the comics. He also felt that the emblem was "one of the more problematic emblems in superhero-dom", and that Daredevil's suit in the comics was "very difficult to translate to screen, especially in this world that is grounded and gritty".
Murdock's suits are differentiated more by texture than color, with a limited palette, given that the character cannot see what color his clothing is. Cox's size changed throughout the series as he continued to work out.
For Murdock's sunglasses, Maslansky worked with series prop master Michael Jortner to make something that fit into the modern world, but paid homage to "what was familiar to fans". Close to different versions of the prop were created for Cox to try. For the women of the series, Maslansky looked to their backstories in the show, with Page having dreams and fantasies of a life in New York along the lines of Katharine Hepburn and Lauren Bacalland dressing according to those thoughts "retro, slim skirts, tighter fitting tops and slim dresses"while Marianna coming into the series as a mysterious yet glamorous femme fataledressing in high-end, couture clothing; "she needed to appeal to [Fisk].
DeKnight called it the "most complicated action scene" in the series, due to the technical difficulty in filming it, and credited Goddard, episodic director Phil Abrahamstunt coordinator Philip J Silvera, and series cinematographer Matt Lloyd with realizing it.
Silvera explained that the scene was always scripted to be a one-shot, and that he had intended to work around it with wipes, but Abraham challenged the team to do it all for real, which allowed the fight to feel more grounded by having them "slow down the fight, and just have this raw, animalistic feeling happening.