Atlantic City (song) - Wikipedia
The American Popular Song has served in part as a canvas for the stories of American .. Whether Springsteen meant this lyric to repeat across songs or not almost seems immaterial. and meet me tonight in Atlantic City. Tonight in Atlantic City was a well deserved and joyous celebration of that, What a surprise to hear Ain't Too Proud to Beg, and to have Start Me Up .. the song and Jagger had to wait 2 bars before coming in with the words. There is no strumming pattern for this song yet. fix your hair up pretty Em G C G And meet me tonight in Atlantic City [Verse] Em G C G Well, I got a job and tried.
As the sun begins to its descent into the western sky, the shadows lengthen, the crowd grows in size, and show time inches closer. At the closest watering hole, which is inside the Trump Plaza, two unflappable blue-smocked bartenders—John and Rink, looking more like s barbers who wandered into a time vortex—handle the boisterous crowd with a taciturn, steely resolve.
The predictions have become, well, predictable: Genesis, Led Zeppelin, Zappa, Springsteen owing to the locale or else, ideally in some senses, a total surprise.
As we pass by one another in the hotel lobby, one blissful, youthful reveler suffering from permagrin whispers in singsong, unprompted: One of the possibilities mentioned on a message board, posted by someone who claimed to know for sure: Because of the limited space on the famous boardwalk, as show time approaches the throng grows thick and difficult to navigate. The show gets going, finally, sometime after 8pm, when it seems the hall transforms from half-full to bursting at the seams in only a matter of moments.
Owing to the enormous American flag on the back wall facing the musicians on stage, Phish begins with a treat, the ever-rare a cappella tune, in this case, our national anthem. Tumultuous response, a huge singalong, hands over hearts. America may be a broken angel possibly on her way down to a low point yet envisioned by many of its clueless citizens, but our relative freedoms have indeed allowed both for the rise of an avant-garde, progressive rock band like Phish, as well as our right to freely assemble and appreciate their brave artistry.
Hallelujah, and onto the rock and roll now, if you please."Atlantic City" by Bruce Springsteen : 365 Riffs For Beginning Guitar !!
Which is not half-bad. This first set feels like a first set, with a series of well-played standalone tunes, with My Soul a welcome, relatively rare 3. A minimalist jam moves smoothly into a wailing, blowout 46 Days that all but sets venerable Boardwalk Hall aflame, and suddenly the initial foray into our Halloween comes to a conclusion.
Based on the pattern of the tours so far, up in the rotation for second set opener is probably something like Rock and Roll or Drowned. With both repertoire-staples that originated in past Halloween costumes, either of which would be appropriate. The subsequent Sand, at 13 minutes, makes the most of its running time with a snaky groove that feels dark and foreboding, but no less danceable for the enigmatic portent of its melody and subsequent jam, which ultimately veers into a brief, discordant jam before returning to the principal, Cactus-driven theme.
But abandoned for stumps without feet, perhaps a fine metaphor for the severity of the hard-splice from the freeform into the perhaps all-too-familiar. Prince Caspian may be a member of the royal class, but this version of his tuneful story is anything but exceptional.
Which we get—kind of, anyway. Perhaps knowing that this pumped and primed weekend crowd needs more, Phish reasserts itself and puts the stamp of historicity and energy on the set with a Fluffhead that rages and explores and climaxes on a note of Phistory that reminds us just how adept these musicians are, how intricate their classic compositions, how excited songs that have been with them since almost the beginning are still growing and changing and thrilling audiences.
Trey misses hitting the climactic note by This Much, but in the end this insignificant fact hardly dulls the luster of this essential Phish composition. Night the deuce begins strong out of the gate with typical 3. Chalkdust Torture, which in fairly uncommon instances can turn into much more than the sum of its parts, here makes an appearance in an unusual slot, mid-set, and as such portends more, perhaps, than the normal uptempo rocker delivers as a set opener or, on occasion, closer.
As Chalkdust indeed seems to transform into what seems to be an impending Type II jam, deconstructs itself, falls back into the theme, then a massive riff drops in out of nowhere like a platoon of heavy shock troops dropped from a silent, hovering Zeppelin: Whole Lotta Love, at first at the sped-up tempo of the host-song, then dropping into the more familiar beat.
And, for 75 glorious seconds, it seems as though Phish is covering a new Zeppelin tune, but then after they roar back into Chalkdust proper, the questions begin swirling in the minds of the delirious dancers: So, a massively cool surprise, no matter what it means. Energized both onstage and off, the rest of the set takes off like a rocket rather than a lumbering dirigible.
First, with the rare Fishman tune Ha Ha Ha, what seems a clear message: And then another dip into the classic rock well by going into a massive, raucous Walk Away that shakes the old hall up to its Roman tiles in the ceiling. Rearranged, as its lyrics directly suggest, from its 2.
Seeming to conclude yet not, as the band vamps the call is made: Straight into a cool refreshing tumbler of Bathtub Gin. He has been, for some time, a key part of the set-up. Great playing, and a linchpin on several numbers.
Atlantic City Lyrics
Also a very approachable and helpful man. Keep pushing on the setlists please Chuck! An interesting final three: Now fingers crossed for some shows my side of the Atlantic next year!
Good show, weird kind of hall. The sound was a lot better than "Steel Wheels" but loud, pushing that big PA to the limit. We had the worst VIP box office seats that I have purchased but managed to get down by the "B" stage since there were a lot of empty seats scattered around.
- Navigation menu
- Navigation menu
Keith stormed the first 4 tunes with his "Chuck Berry" playing and Ronnie came alive during "Streets" with strong melodic solo lines. Ronnie was awesome on "You Got the Silver" and "Connection" was dead on. This is where you could tell that there were a lot of "casino" people in the crowd because if this was Philly the place would have been delirious with these two choices.
The "b" stage was fun, as usual, although as much as I enjoyed "under My Thumb" it is not as seamless a "traveling song" as "Miss You".
Thanks IORR for your coverage thru the years. Review by John Scialfa I was one of the lucky one's last night to witness a truley incredible rolling stones show last night. From the opening riffs which were dead on I knew we were going to be in for a special show.
The acoustics were loud and crystal clear. JJF rocked the house in bone crushing fashion, Keith was on every riff, Mick vocals were spot on, show no signs of a sore throat, Charlie was smoking on drums and Ronnie and the rest of the gang were there to do business. IORR followed, sorry I never tire of this classic and it was over the top as well as jjf, and is a great way to keep the party rolling.
Ukulele Tabs and chords
Loving cup, yes loving cup followed, a lovely version, micks vocas are perfect, and the band played perfectly to recreate this exile gem into one of tonites most memorable tunes. After into's, keith delivers a stunning vocal on you got the silver, ronnie shines as he did on the all down the line solo, by playing some greart acoustic guitar. Back to the main stage for a killer sympathy for the devil, mick hits all the right notes, his vocals are loud clear, sperctacular,not to be outdone keith is soloing on the ramps,every note delivered and executed perfectly, theres no shortcuts tonite, these lads came to play, a haunting paint it black followed, know would keith miss the brown sugar intro, hell no, sounded better then the record, a 7 minute jam followed, chaos has errupted, on the main stage, when the carnage as ended, mick says"i thought that one was never gonna end".
They came, they conquered. Review by Dean Goodman The historic venue was arguably more interesting than the concert itself, which was highlighted by only the third performance of "Loving Cup" on this leg.
Keith and Patti's stunning daughters were also in attendance, which may have lit a fire under the old man. The Stones' first show in Atlantic City since the all-star pay-per-view gig of brought them back to the Boardwalk Hall, which was known as the Convention Hall at that time. But it could be demolished if Donald Trump and Steve Wynn are allowed to build a new casino. As with Las Vegas, my seats weren't the greatest and I was fairly happy to watch the show sitting down.
I had just flown into JFK from LAX, endured a four-four car ride down the coast and faced an immediate return trip to catch the 6: Of course, I did the whole thing 3 weeks ago via Philadelphia for the gig that was postponed just hours before showtime. The Stones came on at the usual time of 9: Mick failed to apologize for scrapping the Oct. It marked the first of three "Exile on Main Street" tunes alongside "All Down the Line" and "Tumbling Dice"and set the scene for the similarly expressive "Streets of Love," a ballad Mick described as "smooth and romantic.
The crowd -- a mix of locals and visitors from New York, Baltimore and nearby Philly -- was definitely Keith's. Sustained calls of "KEEF! Back on the main stage, it was the familiar tunes. Review by Al Pitcher, Chicago The Rolling Stones put on the best show that I've ever seen them perform in Atlantic City tonight which says something as I've been priveleded to see some excellent shows including The Radio City gig where Mick and Keith performed the infamous climb.
To set the tone, Atlantic City's Boardwalk Hall is an incredible venue. The roof is arched the whole length of the seating area with a permanent stage on one end. The color tones of the roofing tile are light blue and there are accented gold paint highlights throughout The show highlights were definately: Check for the live AC video of this on youtube.
Loving Cup - Mick intros the song with a little story about bringing your girl down to AC and then heading home on "The Bus". What a beautiful buzz! BTW, the horns kicked ass on this. Streets of Love - Mick showed more emotion than I have ever seen him put into any other performance. On another note, I noticed Ronnie sitting on a stool, which he continued to do through out the night.
I wonder if he has hurt himself or is just fatigued with all the band has endured this last leg.
Bruce Springsteen song: Atlantic City, lyrics and chords
Intro's - Mick introduces Ronnie and they stay arm in arm the whole time. It would seem plausible that Mick and Ronnie have been supporting one another during their times of loss. When Mick introduces Charlie he comes out limping, and coyly smiling, this may have been a hidden joke regarding what I said about Ronnie sitting down so much Charlie definately didn't have leg problems as he quickly turned and walked back to his drum kit.
On "You've Got The Silver", Keith paces and watches Ronnie like a proud music teacher, they are just awesome together on this. Connection was just plain fun. In a nutshell, Keith really was "ON" tonight. His "Shit Happen" comment alluding to the AC concert postponement was hilarious. Best small set of the 6 Bigger Bang shows i've attended. Keith ran out of picks to give away and had to dig into Ronnies.
Brown Sugar - Loved the European video with the beautiful bare chested lady This really was a great sing a long.
Keith didn't want to end the song and I and 12, other felt the same.
Atlantic City (song)
Atlantic City was an incredible show and given the recent issues the band has endured it may very well have made the 20th Stones concert I've seen since '81 my last. Keep safe and well lads The Rolling Stones are the greatest rock and roll band in history! I had to cancel and got to go to Atlantic City. For those of you who have never been to Atlantic City, it is truly the toilet bowl of the United States A run down town with vagabonds, hookers, drunks, drug dealers, sleaze balls, and misfits who roam the streets among gigantic ritzy, fancy, expensive hotels where the rich and the poor mingle with each other to gamble Atlantic City is the perfect setting for the Rolling Stones.
With the majority of the fans staying the night, I knew the crowd would be a drunken mess, partying like crazy I have wondered why the powerful Casino owners like Trump haven't dropped an atomic bomb on the city and turned it into a parking lot to make it safe I got a hotel room that was about a 10 minute walk from Boardwalk Hall and mentioned to my mom in a casual conversation that I would be walking to the concert I paid her no mind I had to zig zag at a fast pace to prevent myself from getting mugged I quickly made my way inside.
Now about the show Let's just say the Mick and Keith show is now officially the Mick and Charlie show