Verslag Engels The Tell-Tale Heart by Edgar Allan Poe / Short story report | hopedir.info
Free summary and analysis of "The Tell-Tale Heart" in Edgar Allan Poe's The He decides that the old man had to die, so the narrator won't have to ever see. OE S "THE TELL-TALE HEART" consists of a monologue in which an accused old man's heart to the ticking of a watch "enveloped in cotton" and then fancies. and find homework help for other The Tell-Tale Heart questions at eNotes. regarding his mental state, the narrator's obsession with the old man's eye.
I held the lantern motionless. I attempted to keep the ray of light upon the eye. But the beating of the heart increased. It grew quicker and quicker, and louder and louder every second. The old man's terror must have been extreme! The beating grew louder, I say, louder every moment! And now at the dead hour of the night, in the horrible silence of that old house, so strange a noise as this excited me to uncontrollable terror.
Yet, for some minutes longer I stood still. But the beating grew louder, louder! I thought the heart must burst. And now a new fear seized me—the sound would be heard by a neighbor! The old man's hour had come!
With a loud shout, I threw open the lantern and burst into the room. He cried once—once only. Without delay, I forced him to the floor, and pulled the heavy bed over him. I then smiled, to find the action so far done.
But, for many minutes, the heart beat on with a quiet sound. This, however, did not concern me; it would not be heard through the wall.
At length, it stopped. The old man was dead. I removed the bed and examined the body. I placed my hand over his heart and held it there many minutes. There was no movement. He was stone dead. His eye would trouble me no more. If still you think me mad, you will think so no longer when I describe the wise steps I took for hiding the body. I worked quickly, but in silence.
First of all, I took apart the body. I cut off the head and the arms and the legs. I then took up three pieces of wood from the flooring, and placed his body parts under the room.
I then replaced the wooden boards so well that no human eye—not even his—could have seen anything wrong. There was nothing to wash out—no mark of any kind—no blood whatever. I had been too smart for that. A tub had caught all—ha!
The Tell Tale Heart by Edgar Allan Poe
When I had made an end of these labors, it was four o'clock in the morning. As a clock sounded the hour, there came a noise at the street door. I went down to open it with a light heart—for what had I now to fear? There entered three men, who said they were officers of the police.
A cry had been heard by a neighbor during the night; suspicion of a crime had been aroused; information had been given at the police office, and the officers had been sent to search the building. I smiled—for what had I to fear? The cry, I said, was my own in a dream. The old man, I said, was not in the country. I took my visitors all over the house.
I told them to search—search well. I led them, at length, to his room. I brought chairs there, and told them to rest. This edition omitted Longfellow's poem because Poe believed it was plagiarized.
The exactness with which the narrator recounts murdering the old man, as if the stealthy way in which they executed the crime were evidence of their sanity, reveals their monomania and paranoia.
The focus of the story is the perverse scheme to commit the perfect crime.
However, some critics have suggested a woman may be narrating; no pronouns are used to clarify one way or the other. The story opens with a conversation already in progress between the narrator and another person who is not identified in any way. It has been speculated that the narrator is confessing to a prison warden, a judge, a reporter, a doctor or anachronistically a psychiatrist. This, however, is self-destructive, because in attempting to prove their sanity they fully admit that they are guilty of murder.
Passion there was none. Despite this, they say, the idea of murder "haunted me day and night. Like many characters in Gothic fictionthey allow their nerves to dictate their nature. Despite their best efforts at defending themself, their "over acuteness of the senses", which help them hear the heart beating beneath the floorboards, is evidence that they are truly mad.
If their condition is believed to be true, what they hear at the end of the story may not be the old man's heart, but deathwatch beetles. The narrator first admits to hearing beetles in the wall after startling the old man from his sleep. According to superstition, deathwatch beetles are a sign of impending death. One variety of deathwatch beetle raps its head against surfaces, presumably as part of a mating ritual, while others emit ticking sounds.
Alternatively, if the beating is really a product of the narrator's imagination, it is that uncontrolled imagination that leads to their own destruction. Paranoid schizophrenics very often experience auditory hallucinations.
These auditory hallucinations are more often voices, but can also be sounds. Their names, occupations, and places of residence are not given, contrasting with the strict attention to detail in the plot.
In that case, the "vulture-eye" of the old man as a father figure may symbolize parental surveillance, or the paternal principles of right and wrong. This can be seen in the short story by multiple facts: He shows them the room of the old man, not his house. The place is of importance to the story because it is one specific place where the entire story takes place.
This gives it some kind of weight to it. The story could have taken place somewhere else, but only in another building which has wooden floors, deathwatch beetles in the walls and shutters on the windows. The place of this short story is of no importance to the situation of the writer.
The story is very much about matters of the mind.
Firstly, the narrator talks about how others think he is mad. Madness is a matter of the mind. Other things that come across are guilt, paranoia, humour and fear.
The Tell Tale Heart by Edgar Allan Poe
All these things are matters of the mind. The only reason the narrator decided to kill the old man, making the story happen, is because in his mind the eye of the old man made his blood run cold.
This short story consists of 17 paragraphs, some are just one or two sentences, others are much longer. All of the paragraphs are separated by a blank space. The short story starts in medias res, which means that the story starts in the midst of action. The reason this story is that way is because it starts when the murder is already committed and the tension is already very high.
This story had an introduction, rising action, conflict and climax. The first paragraph is the introduction, then there is the rising action which consists of paragraph two trough paragraph fifteen.
Within these fourteen paragraphs there is a climax and denouement. The climax is in paragraph eleven when the old man is murdered. The denouement within the rising action is from paragraph twelve through paragraph fifteen. Paragraph sixteen and seventeen are the conflict since this is where the narrator starts to become paranoid. The last paragraph is the climax. The genre of this story is lyrical. A lyrical story is a story which has an open ending.
The atmosphere of this short story is a very dark one.
The story has dark subjects such as murder, dismemberment and madness. Furthermore the most part of the story takes place during the night which darkens the mood literally and figuratively. There is some imagery in this short story, in the second and ninth paragraph there are descriptions of the eye of the old man: This is imagery because it appeals to the sense of hearing. In the fourth paragraph there are two cases of imagery: In the thirteenth paragraph there is a description of the dark: Lastly, there is imagery in the sixteenth paragraph: This story has a narrator who tells the story from a first person point of view.
The narrator also is the protagonist of the story, the lead character. This story has two characters and some people that are of relative importance. This character is of importance since it is the man that the narrator killed. Thirdly we have the people that are of relative importance, the police officers.